Wyvern’s Anthem

LUCA YANG (REGISTERED STUDENT)

Ancient future poems

Literature about the future inclines towards monistic expressions of dystopia and utopia. However, the future will likely uncurtain itself on a gray middle space. Some things will be for the worse - we may find ourselves having to reconcile with a climate-upset nature and the loss of language (to more efficient means of communication). Some things will be for the better - we may discover more enlightened notions of justice, or stumble upon industrial cities that have now combined with nature to form forest civilizations. And other things will be just for the stranger - we may encounter bearded fish, birds with metal wings, mountains in love, among other weird treasures.

I present a collection of persona poems that explore the future (and its relationship with the ancient) under more balanced light. The poems can be read both independently or in sequence as a progressing story. I loosely take the perspective of the ‘last writer on the planet’, who travels around to explore the good, the bad and the strange of the future world. However, more than anything, I write from the heart, drawing deeply from my culture and identity as a New Zealand-born Chinese. The poems are heavy in symbolism and zoomorphism, in references to Maori culture, religion, philosophy, mythology, New Zealand landscape, London architecture, and personal sentiments of loss that I have been wrestling with.

We should cherish what we have in the present not out of romance for the past or fear for the future, but for the fact that the present is familiar and fleeting.

  • Introduction to the persona and his personal imagery of nature and universe as the rotating dragon from Chinese mythology.

  • Scattered ruminations of the past.

  • About a sulfate-tainted sky due to geoengineering.

  • Introduction to a strange future and the ubiquity of nature.

  • Heavy mournings on environmental catastrophe

  • Again on environmental catastrophe: the two Islands of New Zealand have collided in the future.

  • An ancient future remix of a classic Maori folk tale.

    NB: the poem is structured in a way to resemble the perfect symmetry of Taranaki Maunga. Not only are the lyric and form symmetrical, but also the syllables.

  • A future justice inspired by Rawls’s Original Position

  • On love.

  • On death.

Earthly Dragon

The earthly dragon collects breath in ashen shades;
An ancient prose lays moribund in its immortal flame.  

Nature is the divine beast gyrating through eons
I was last of the ancients to write on its Galilean spiral 
To chronicle its mighty rotation that gobbles all things
Pillared by one lone axis and a pair of serpent’s wings

Yue Tu 

Of what frames our olden times 
Were silvery winds and fruity symbols
Mellow mountains and tangy syllables 
Lulls of the sea, a pearl-like moon 
Honeyed vowels and dancing runes.

Once upon a morning’s poetry
A lunar rabbit flits about freely.

The Nightmare Artist

I begin this page from within the long white cloud 
Beyond the heavens I so tenderly yearned
A sage old Kauri tickles a fern 
Roused by the wind of destiny’s shroud

Gone are the solars of cream and light 
Surrendered to scald in the river of fire 
Gone are the drapes of heavenly azure, 
Surrendered to the rust of crimson dust  
Gone are the waves of colossal blue 
Surrendered to scars of fissure and fume  
Gone are the intellects of the winter ancients 
Surrendered to the kiss of the nightmare artist.



Meaningless Flight

I am a worshipper of bygone lore
A wandering note among history’s murmurs 
A flightless bird traversing soiled skies 
A meaningless flight among starless, bloodless nights.

I am the fruit of ancient future interlude 
Bearing machine arms and printed heart
A beating heart, living art  
And the eyes of an aquatic thing drowned.

Ocean Sunder

On the marriage of those islands 
Surfs the creation of three splashes 
First, North resonance awakens 
Unearthly shapes of strangely shallows 
In the South, sordid nexus awakens 
Dark seas, the Ocean’s eternal shade 
Finally nightmare awakens
Thunderclouds and thunder rain. 

Tipuna warned against digging the serpent’s treasure  
That would starve the rock of its native shimmer  
The monster quakes
Our verse vibrates
All for what - a pot of rot-filthed gold and hollow riches? 
A rot of mud-blotched things and carcass-fouled beaches? 



Hulking Tunes 

The future is strange, but nature not 
The once cerulean oceans are now hued with blood
But natural allure is gracefully thread 
Across blue, across orange, indigo and red 
Deciduous beauty in all nature breathes 
Cow-like gulls glide maroon seas
Migrating mountains house walking trees 
The mountains have faces that hum and sing
To hulking tunes, to rotten foods
To the rabbit moon.

A flutter, a flicker, a fowl retires a feather
Hairy fish roam green desserts
Seven children play in the river 
Their mother watches - all is nature.  


The Soul, The Tree 

(Taranaki Maunga - the petrified mountain)

I stand before the petrified mountain
Who had fled in fear, lost in love, and iced in loss
What the ancients saw, a snow wizard’s crown 
Donning reddish blue, cloudless symmetry
Above o above the cosmos’d blink 
Silently, at the rippleless mirror 
The glass-crystalled lake 
The soul, 
The tree, 
Four centuries late, 
Gone secretly, that unmoving lover 
I stand free before the hollowed crater, 
I see a lakeless mirror, stardusted azure 
I hear flickers of some Hangi’s ember 
And upon this minute so perfectly tender  
The shy giant’s war remains to be won.

The Snow of London

I have come to the Kingdom city 
Once a city of smoke, a city of ghosts 
Then a city of grey, a city of rain
Now a city of green, a city of trees…

Future Memories

In dedication to love, my past and future.

Inside the razored castle of rhymes 
Nests a metal-winged bird of night
Days through the window of memory, he’d spy 
The elephant, the shard, the marvelous eye 
And so fearing the prison of certainty  
The bird breaks free - towards liberty!

Seduced by the ever and ever of time, 
He dreams, he seeks the garden in the sky 
Yet he descries nor vista nor vastness,
Only a canvassed sun, an oppressing sky 
As well as the wailing of some language dead 
And the flame-scarred feathers of some fledgling floored
The arrogant chick flew murderously abreast 
The diurnal maestro, that inferno artist
So he was clawed by the dragon’s coming 
So he was tormented by the Ox’s circus. 

In his fall towards death and evening
The little one dreams himself a songbird Robin 
Who with natural flight could at last sing  
But only sing and pitily sing
Those tattered songs of memory
Where that window beyond heavens the finest bough 
Where that castle for thousand years the kindest home. 

Then under some midnight child’s prayer
Of life in death, of resurrection and tears 
Bird wakes suddenly upon a starry hour 
To the rain and chimes of the insomniac gong 
Turned a real robin with flesh and flight 
He lifts off, wings off from the western wharf  
And soars towards the garden in the sky 
Yet there he finds only the mangled reflections  
Of a brown songless wingless bird
And a twin pair of metal wings shattered.

Absent a melody the little one flies 
Back to the razored castle of rhymes 
Whose door has shut, heart has cooled 
Leaving the robin locked outside cold 
And peeking through that window of memory 
He catches sight of some other more grateful passerine. 

Little robin without a bough
Little robin without a home 
Little robin suffers as a daylight robin 
Trapped inside the forever nocturne of memories haunting.

Robin bids one last look at the window, the passerine 
And a final verse of parting poetry 
Goodbye, goodnight
My castle in the sky 
To the dusky seas I fly, 
Hoping in future memories I drown.
May my songless tears, my wingless soul 
Rest under the seabed indefinitely so 
Then may the darkish oceans lift,
Descend rays of light, a paperless sun 
Chimes of a new morning song 
Where wing in wind, morning and robin 
Shall chase once more the bishops’ dome 
And set sail into the city of future memories past…

Wyvern’s Anthem

Dancing alphabets and seven whispers of glory 
Now rest peacefully upon the evening garden 
Serenaded to slumber by memory’s gong 
Banished to shadow by the wyvern’s anthem
Haunted by life and mothered by death 
Hammered and shattered and tattered, bereft  
They cloud like marble into a fume of sighs 
A dying sun effuses a ghoulish neigh 
End is nigh for language and night 
O, little one, sleep easy in the darkish fire

Next
Next

Governing the Decentralized Commons (Max Langenkamp)